Imagery from Virgil Abloh’s collections merged with flying creatures, floating monograms, and planetary fragments — forming a scene between dream and monument.
The trunk appeared as a central figure: part object, part vessel.
Surrounding it, a layered world unfolded — monogrammed animals, flying machines, Parisian rooftops and archival fragments held between stillness and motion.
Designed as a seamless loop, the piece sustains rhythm and returns without interruption. At its centre, a glass-rendered trunk is suspended between material and image. Refraction, reflection and contour lighting embed it into the scene — revealing the collage not around it, but through it. Its geometry interacts with layered depth, transforming the trunk into both object and viewport. Camera choreography binds these transitions into a continuous structure, shaping rhythm, space and surface into a cinematic whole.
Presented as part of Louis Vuitton’s #LOUIS200 campaign, the work appeared in flagship store windows worldwide and within the travelling exhibition 200 Trunks, 200 Visionaries (Paris, Singapore, Los Angeles, New York). Released across digital and editorial channels, it became one of the most widely shared artist contributions within the series. A collage transformed into cinematic space — experienced in motion, remembered in stillness.
Client: Louis Vuitton
Year: 2021 Collage Artist: Constantin Prozorov Animation & Production: Philipp Ries